Bellagio v2 – real life Ocean’s Eleven

I was looking for photos of Bellagio and got this instead:

http://www.10news.com/news/u-s-world/man-arrested-in-armed-robbery-at-bellagio-in-las-vegas

I guess while I was visiting the original Bellagio spontaneously and carefree other people were crafting a more careful visit to its US counterpart… I just thought this is too funny. I didn’t think this stuff happens anymore in this day and age, with all the surveillance cameras and advanced gadgetry those casinos have. But then the man is 84 years of age!!! probably a little behind on technology.

And to think I was happy when I walked away with 65 Euros’ winnings from the Casino in Monte Carlo earlier this year 🙂

Corsica – charmed land with an old soul

One of the most beautiful places I have been to since my move back to Europe is Corsica.
I visited because of work and so I was there at an unlikely time, the end of November, apparently the coldest month in Corsica. Not the best time to visit, definitely, but even so, the beauty of the place was so striking that I can’t wait to go back.

This little mediterranean island is unlike any place I’ve been to, not necessarily due to its beauty (which is considerable), but due to the feeling that you are immediately immersed in once you land. I always thought places, just like people, have a soul, an inner substance that one can feel when there. Greece is like that…you would know that is an old country, philosophical and pensive, even if you didn’t see the ancient ruins about. And Corsica is the same, in that you immediately feel the strength, wisdom and fortitude of the place, even if you didn’t know the history of the island.
Corsica feels incredibly powerful, and very soulful at the same time. The landscape is clean and honest. This is not a place of fabricated but raw beauty: the sea is a deep blue, the sky a perfect light blue, the vegetation incredibly dark green. The colours of Corsica are those that God intended to put on Earth:

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Yet the language of its people is musical and poetic, even if you don’t understand it. The traditional music of the island is tender, and comforting, happy and sad in equal amounts, and so nostalgic it breaks your heart. There is tenderness to the landscape, too.

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My connection to Corsica is quite deep. A very close family friend, an incredibly smart woman with an equally incredible past and unbelievable strength in the face of adversity, is Corsican. During the course of our friendship I’ve heard so much about her beloved island, so much praise and so much longing, that I knew I would love Corsica even before seeing it. One story that she loves to tell is how, growing up, she would go into the eucalyptus forest for walks, and get lost in thought while surrounded by the fragrant air.
To be honest, I used to think her memories a bit skewed by the passage of time, which can, sometimes, idealise otherwise almost mundane experiences, especially when childhood is recalled. Let me tell you, I was so wrong. I got to the eucalyptus forest shivering in the cold November weather and wishing for a fireplace spot and a mug of mulled wine in my hand. But once there, I completely forgot my discomfort. The forest is absolutely magical: all you can see are tall eucalyptus trees, a little brook here and there, and all around you are surrounded by the most crisp eucalyptus scent. It really is an indescribable feeling.

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The city of Ajaccio, on the other hand, feels a bit underwhelming. It is not particularly pretty but close to the sea and some beautiful landscape. The birthplace of Napoleon Bonaparte, its most famous, if not particularly loved, citizen, Ajaccio is a living shrine to a dead Emperor: Grand Cafe Napoleon sits proudly on the main street, Cours Napoleon, close to Hotel Bonaparte …and so on. I, of course, went to visit Napoleon’s house, Maison Napoleon, not so much for the great man as for my father, whose favourite historical hero is, in fact Napoleon.

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Strasbourg will have to wait

Today I was supposed to go to Strasbourg. Booked in the frenzy of a special offer from SNCF, I hadn’t realised at the time how physically tired I would be upon returning from my Italy trip. Yesterday, to be perfectly honest, I was so tired at the end of the day, that going to Strasbourg seemed like a chore. I was supposed to go there for just the day, leaving my house at 7 am to return home at 11 pm. A little too much for someone who has not spent one week-end at home since early June. Then, I thought, let me check the weather….and Strasbourg was predicted to have thunderstorms in the afternoon. That was the deciding factor and so, despite having a partially non-refundable ticket, I cancelled and instead enjoyed my bed and got up at 2 pm. Feeling so much better now.

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However, in order not to disappoint, I will start today on a little retrospective of those trips I took prior to setting up this blog….that includes trips to Luxembourg, Vienna, Salzburg, Barcelona, New York and Corsica and, of course, more Italian towns. I will add a ‘retrospective’ column to this blog and try and keep you entertained even when I have to sleep or clean my apartment! Good plan!

Midweek muses…midlife crises?

Coming back from a vacation spent travelling is always fraught with disappointment: however long, the holiday invariably feels like an all too brief infusion of real life into what otherwise can only be described as existence. It’s only on vacation, when you do some much, see so much, cover so much ground and feel so many feelings in one day, that you realise just how much of your life goes wasted during the work-week. And, upon realising this, depression invariably sets in…

Albert Camus captured the feeling perfectly and expressed it much better than I could possibly do it more than 70 years ago…“ Rising, streetcar, four hours in the office or the factory, meal, streetcar, four hours of work, meal, sleep, and Monday Tuesday Wednesday Thursday Friday and Saturday according to the same rhythm – this path is easily followed most of the time. But one day the “why” arises and everything begins in that weariness tinged with amazement.”

It is summer vacation time. The summer finally feels like summer, the Copenhagen office is empty, my Parisian colleagues are getting ready for les grande vacances… Everyone wants to get away…no-one feels like working anymore. At the office, we had a chat this afternoon on whether we should all take a collective sabbatical and do what our hearts dictate rather than what conscience and contractual agreements make us do…One of my friends from North America wrote bemusing the meaning of life. Are these pre-vacation blues or are we all heading for some sort of midlife crisis?

I’ve already had mine – fast and furious and early…more like a third-of-life crisis, really. I woke up one day to realise that what makes us good in school makes us suckers in real life, and that the only thing you need to prove in this life is that you at least tried to experience and live it fully, and, perhaps, even be happy sometimes. How? Depends. Most people go traditional and procreate so that they can then project all their hopes and unspoken regrets onto the new progenitor. Some people travel (me!), some paint, some write, and most people dream a little daring and unlikely dream that keeps them going by providing the illusion of a possible escape….

Today at work we were talking about this: I want to write a book, a colleague wants to write a crime novel, another dreams of being a theatre costume designer while yet another dreams of being a TGV train driver. We all have far better paying jobs, enviable job titles and apparent “career success”… We’re all quite young, still in our 30s….So why are we all dreaming of a second career?
In the end, we all agreed that we just want a break, a sabbatical of some sort, the opportunity to pursue something easier, more creative, more meaningful according to each person’s sensibilities. Which got me thinking, why don’t companies allow this? In the same way that academics (in the US, at least), can take 6 months every 6 years to pursue their individual research interests, why can’t we, in the corporate world, just take a break to pursue our own life dreams, once in a while? If I ever get to have my own company, I will definitely offer the sabbatical option…and then proceed to be the first employee to take one, myself!!!

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Il Duomo

In the same way that all streets lead to Rome back in the days of the Empire, all modern streets in Milan either lead into the Piazza del Duomo, or circle around it.
You invariably get round some corner to come in full view of this majestic building, the 5th largest church in the world!
Built over 500 years (the last door dates from as recently as 1965) and funded almost entirely with the Milanese’ donations to faith, this building is both imposing and charming. Not typically Italian in its architecture, I now know its vague resemblance to the Notre-Dame de Paris to be due to its being built with the help of French architects.
An imposing sight, worth seeing at least once in a lifetime, this was my last sight of Milano and Italy on this trip!

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A Brief History of one of Opera’s Greats: Giuseppe Verdi

And now Verdi….

Lesley Koenig

New blog post from Lesley Koenig –

Giuseppe Fortunino Francesco Verdi was born October 9th, 1813 and died January 27th 1901. He was an Italian Romantic composer mainly recognized for his operas. Verdi is considered one of the preeminent opera composers of the nineteenth century. His productions are regularly performed in opera houses throughout the world and, surpassing the boundaries of the genre, a couple of his themes have long since been embodied in popular culture.

Giuseppe Verdi

Verdi was born the son of Carlo Giuseppe Verdi and Luigia Uttini in Le Roncole. As a child, Verdi and his parents moved from Le Roncole to Busseto, where the future composer?s education was greatly influenced by trips to the large library belonging to the local Jesuit school. Busseto was where Verdi was given his first lessons in composition. When Verdi was twenty, he went to Milan to continue his education. Milan?s beaumonde association…

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Singing in the rain featuring Pacido Domingo

When I left Paris I checked the weather for Italy and was thoroughly disappointed to see the forecasted thunderstorms and rain. However, other than on the evening of my arrival, the weather has been fabulously hot and sunny…
That is, until last night, when I had the unique opportunity of experiencing a thunderstorm from an ancient Roman Arena… The Arena di Verona!

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But let’s start at the beginning.
I had chosen to attend the Opera Festival in Verona during this week for the chief reason of securing another opportunity to see Placido Domingo live, possibly the last time. He is a great tenor, he’s talented, smart, incredibly knowledgeable when it comes to music (he conducts orchestras, too, the hardest thing to do), appears to be a charming man in interviews.. but he is also in his 70s and at an age when most tenors would have retired…some, like poor Pavarotti, permanently! I simply could not pass the opportunity of this live encounter!

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I got to the arena in good time to line up for the gates to open. I had dressed up for the occasion: I might have had to sit on marble steps, but I put on an opera house worthy dress, complete with silk shawl! I had bought Prosecco! Took in a breath, feeling the joy of the moment! This was a night to remember for me…and not just for me! The Arena di Verona soon became truly packed with people….22000 souls ready to be charmed and thrilled by the Great Man! We all got free candeletti at the entrance, those little white candles that, as per Arena di Verona tradition, get lit at the beginning of each performance. A fire hazard, to be sure, but the image of an ancient Roman amphitheatre lit up by thousands of candle lights is thrilling and romantic and creates such a wonderful atmosphere.

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I was particularly curious to see how Domingo’s voice would fare in such massive a theatre, given that, naturally, at his age he is no longer at his best. My mum, the opera expert of the family, warned me against possible disappointment. The performance started and I got to realise Domingo is a very shrewd musician: rather than singing the performance solo he had laid out a program of carefully chosen duets; instead of attempting tenor showpieces he had chosen a carefully deliberated repertoire of mostly baritone pieces. In La Traviata he was no longer Alfredo but the father! Appropriate and clever! Smart man! Smart choice. And his voice, given his very strategic choices, was no disappointment, emanating throughout the enormous venue the familiar beautiful and rich sound he had first brought to the Arena 49 years ago!

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The first half of the programme went flawlessly and beautifully. And then…. Little specs of blue in the sky forewarned of a possible storm. Intermission was met with increasingly strong winds. Finally, a full blown storm descended upon us and Verona became the sight of furiously pouring rain and some scenic, if also frightening, thunders!!!

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The audience then split in two: the pessimists, heading out fast; and the optimists, taking refuge in the catacombs, hoping for a brief storm and a return to Act two.

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The pessimists were right. At 12:30, I left behind a mere handful of people, and headed back to the hotel.

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Domingo’s appearance at the Arena was fated to be a short one. A sign from God, perhaps, that he, too, might soon look upon the stage as a place belonging to his glorious musical past.

A brief history of another one of opera’s greats: Giacomo Puccini

In keeping with th opera theme of the last few days of my trip.

Lesley Koenig

New blog post from Lesley Koenig –

GiacomoPucciniKoenig

Giacomo Puccini

 Verismo: True to Life

Giacomo Puccini, known as Italy’s greatest composer after Verdi, was born Giacomo Antonio Domenico Michele Secondo Maria Puccini in Lucca, Tuscani. With such a name he was destined for greatness. One of seven children of Michele Puccini and Albina Magi, Giacomo was born into Lucca’s local musical dynasty. His great-great-grandfather, also named Giacomo, was the maestro di cappella of the Cattedrale di San Martino in Lucca — a position that was passed down from father to son all the way down to Giacomo’s father. The men in la famiglia Puccini all studied music in Bologna and had successful careers in music composition. La famiglia Puccini had held the position of maestro di cappella for 124 years when Michele Puccini died in 1864, leaving the position for his son, our Giacomo. However, Giacomo was only 6 at time and thus…

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